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This new study lifts the veil on the high-profile but often misunderstood gladiators of ancient Rome, from their origins to the dawn of the Principate.
Originating in funeral rites during the Punic Wars of the 3rd century BC, the Roman gladiator games have come to symbolize the spectacle and savagery of Republican and Imperial Rome. Increasingly elaborate rules and rituals governed the conduct of gladiator combat, with an array of specially armed and armoured gladiator types pitted against one another, either singly or in groups. While many gladiators met a grisly end, some survived to achieve celebrity and make huge fortunes.
Despite the wealth of literary and archaeological evidence, many misconceptions about the gladiators and their violent world remain. Featuring eight plates of stunning specially commissioned artwork alongside photographs and drawings of key items of visual evidence, this fully illustrated account recreates the little-known and under-represented gladiators of the centuries leading up to the dawn of the Principate, correcting myths and casting new light on the roles, lives and legacy of these legendary arena fighters.

Gladiators 4th–1st centuries BC

  • François Gilbert

    This new study lifts the veil on the high-profile but often misunderstood gladiators of ancient Rome, from their origins to the dawn of the Principate.
  • Book Details

    Imprint: Osprey Publishing
    Publication Date: 18-08-2022
    Format: Paperback | 248 x 184mm | 64 pages
  • About the Author

    François Gilbert is an associate researcher at the French National Centre for Scientific Research, studying Roman militaria. Founder of one of the first re-enactment groups in France (Pax Augusta), he was able to study, reconstruct and experiment with their equipment and combat techniques. Giuseppe Rava, a leading military history illustrator, is inspired by the works of the great military artists, such as Detaille, Meissonier, Röchling, Lady Butler, Ottenfeld and Angus McBride.
  • Rights Sold

    All rights available
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